§ — Prologue
Inkjet print, cast, photograph, sea snails.
Dimensions variable.
G. Kriszat’s illustrations for
A Stroll Throught the Worlds of Animal and Men (1934),
of the biologist Jakob von Uexküll:
Fig. 9a A village street, photograph
Fig. 9c The same village street as seen by a fly
Fig. 9d The same village street as seen by a mollusc
§ — Panopticon
Fabric engraved with sunlight, photographs, ceramic, black jasper stones, tiger’s eye stone, crab pincer, rope, cast, tile, photocopy, myth of the Pemón tribe, sand, rusted gears.
Dimensions variable.
The EAC is housed in the building of a former jail from the late nineteenth century, which was built as a panopticon; a surveillance centre connects its four pavilions. The museum takes place in one remodelled pavilion and the rest remains closed to the public as ruins that can be seen only from the inside of the museum, through a large window facing the centre of the panopticon. This chapter was installed behind the window, within the ruins, inside the eye.
A
Tiger
saw a Crab
playing on the beach.
The Crab was throwing his eyes to the sea and
singing a song to the waters to return them.
The Tiger followed him and did the same.
Without the organs the body lost the sight, but at singing the eyes returned to their orbits. The organs gave him his vision back, bringing with them submarine images, fleeting memories attached to the retina.
The Tiger wanted to look again at those strange landscapes and, ignoring the warnings of the Crab about a fish approaching, threw his eyes to the sea. The fish ate them and blinded him forever.