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El Reino
high-relief, plaster. Inkjet prints.El sueño de los justos
the Sun touching the space:
el 21 de diciembre hubo una verbena de solsticio, celebración de verano junto a Pieris Brassicae,
Asunción Mena y Sebastián Díaz [Mucho Sueño], una performance de animales humanos y lepidópteros. Fue el primer día de verano y el último día de El Reino.
𓆑.
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Fate and Fortune
Pigment-Inkjet Print, Ferrite.◠ text by José B. Segebre
Hados
Luna menguante
Luna y júpiter
Azares
Cuervos
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Ángeles y Sirenas
C-prints, magnets (The Fish); c-prints (The Birds); eye agates, copper, brass (Eyes); chain, brass, agate, bivalve fossil (Necklace); common moon crab, baroque pearl, copper (Moon Crab); spotlight (Angel).✷
Lady of Situations
Pigment inkjet prints; Tridacna shells; high relief on wall, plaster; 3D print of a bronze head from a statue of Hypnos (c. 3rd century BC), Jackdaw wing (Corvus monedula, legally taken from the wild in the UK by licensed pest controllers) and cord; song.◠ poster
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◯
Pigment inkjet print — Portrait of a Komodo Dragon named Flores, and chalcedony quartz (Tiger’s Eye stone).✷
The Diction of Stone and Mortar
Pigment inkjet prints on wood hung at ~4 m high.✷
Late in the day
high relief of Eos pouring the morning dew dressed in a starsprinkled robe. —from an antique vase; pearls, an egg of a Kollonka hen (Araucana), photograph - gelatin silver print.◠ poster
☾
lucero, bright star, venus
interruption or glare: never appears to venture far from the sun, setting in the west just after dusk & rising in the east before dawn.
the brightest object in the night sky after the moon,
so bright that can cast shadows
from T.S. Eliot, Marina
from E. Dickinson, F459
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The Birds
The Birds: gelatin silver prints on wooden frame, photos of birds printed in bird size and hung in bird height. Black waters: black ink & water in stainless steel sinkBlack waters is a collaboration with Rosario Aninat
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The World
Tarot cards, stories, pearls, eggs, analogue photographs, flag, plants, sea snail, stone, apple, drawing, amulet.A caiman (Caiman crocodilus) was seen sunbathing placidly on a fallen tree trunk as a Julia butterfly (Dryas iulia) fluttered around its face and taste its tears. She looked pretty with a flapping eyelash sipping the salty sodium of her hypocritical tears.
sympathy of the spheres:
analog phtograph, hen, ostrich and quail eggs
& pearls
Death's flag.
~ embroidery by Esperanza Rojo
mandrake
(Mandragora autumnalis)
Begonia Rex & sea snail
crocodile butterfly
(Fulgora laternaria)
rabbit foot fern
(Davallia fejeensis)
& amulet
chloris becoming flora
fragment of Allegoria della primavera,
Sandro Botticelli, c. 1482
Begonia Maculata
& hoja de sangre (Hypoestes phyllostachya)
desert rose plant (Adenium Obesum)
& desert rose crystal
clover (Trifolium)
eggs & Death tarot card
hand of st. Lucy,
Francesco del Cossa, c. 1473
Sappho, trans. Anne Carson
hand of Sylvia Plath & apple
Sternentänzer
(Rhynchospora colorata)
secret love (Impatiens Velvetea)
Emily Dickinson’s herbarium
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Habías sido yo
Smell of peonies; fresh flowers and vase, relief in plaster of a crocodile, butterflies and bees; analogue photographic prints, dried flowers, glass, bronze chains, bolts and nuts; obsidian and daffodil coated in resin; apple branch; knucklebones, plaster cast of a woman’s and man’s hand, steel; photographs; pearls; translucent mirror; plaster cast of an ear, sea-shell and jewellery: pendants by Elizabeth Burmann.◠ zine of the exhibition with texts by Paula Solimano A. & Ileana Elordi
gaucho & astragolizonta
playing knuclebones
the lily’s throat to the hummingbird
narcissus & obsidian
secret
the pleiades
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Anunciación
Sibling of Habías sido yo.◠ zine of the exhibition, with an incantation and a crossword.
◠ de Claudio Eliano en Historia de los animales: sobre las abejas
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La Acontecida
Photographs, glass, condensed water, cotton rope, pins, plaster, fulgurite, 3d print of a Greek mask, low-relief in wall, hair lock, opalite (moon stone), silver, pearl, butterfly, beetle, insects, canvas, roomplan.iii.
beetle, cotton and Hypnos
—son of darkness and night.
lived in a cave down the Hades
where the sun and the moon met,
and where the Lethe was born;
the river that no longer
living Greeks crossed
to forget their lives.
God of sleep-.
iv.
plaster cast of the gap
between two holding hands.
vi.
from A. Somers in La mujer desnuda.
La mujer vio con pavor eso tan brutalmente solitario y definitivo que estaba ocurriéndole a ella misma por el acontecer del otro.
translation:
The woman saw with terror, that so brutally lonely and definitive that was happening to her on account
of what occurred to another.
vii.
fulgurite —petrified encounter
between a lightning bolt and the dessert-.
x.
photograph of an
imageless projection.
ix.
canvas exposed half year
under the open sky, bugs.
viii.
from W. Shakespeare in The Tempest.
transcript
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
v.
photograph and hair lock.
ii.
opalite (moon stone),
pearl and silver.
i.
photograph of the nightfall’s sky,
condensed water and butterfly.
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Órgano peregrino
Two-part exhibition (Prologue & Panopticon), spatially separated as two chapters.
§ — Prologue
Inkjet print, cast, photograph, sea snails.
Dimensions variable.
G. Kriszat’s illustrations for
A Stroll Throught the Worlds of Animal and Men (1934),
of the biologist Jakob von Uexküll:
Fig. 9a A village street, photograph
Fig. 9c The same village street as seen by a fly
Fig. 9d The same village street as seen by a mollusc
§ — Panopticon
Fabric engraved with sunlight, photographs, ceramic, black jasper stones, tiger’s eye stone, crab pincer, rope, cast, tile, photocopy, myth of the Pemón tribe, sand, rusted gears.
Dimensions variable.
The EAC is housed in the building of a former jail from the late nineteenth century, which was built as a panopticon; a surveillance centre connects its four pavilions. The museum takes place in one remodelled pavilion and the rest remains closed to the public as ruins that can be seen only from the inside of the museum, through a large window facing the centre of the panopticon. This chapter was installed behind the window, within the ruins, inside the eye.
A
Tiger
saw a Crab
playing on the beach.
The Crab was throwing his eyes to the sea and
singing a song to the waters to return them.
The Tiger followed him and did the same.
Without the organs the body lost the sight, but at singing the eyes returned to their orbits. The organs gave him his vision back, bringing with them submarine images, fleeting memories attached to the retina.
The Tiger wanted to look again at those strange landscapes and, ignoring the warnings of the Crab about a fish approaching, threw his eyes to the sea. The fish ate them and blinded him forever.
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Acto de ver, 2016.
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Las cosas segregadas
Chilean Escudos (Eº): coins and bills from 1970s, coloured soil, book, photographs, photograph & condensed water on glass, matted lint, mineral coal. Variable dimensions.✷
Normógrafo
Objectified handwriting, acrylic, 7 x 18 cm. 2013.✷
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Isidora Gilardi
b. 1992
Chilean — Argentinean
based in Berlin, Germany.
Collects images, objects, and stories in arrangements delving into the ways in which meaning, memories, affection, and aversion settle in the matter. Exploring how storytelling is embedded in matter, she has focused her practice in the cross-pollinations, between nature and culture.
Städelschule, Frankfurt am Main, Germany.
HGB, Leipzig, Germany.
PUC, Santiago, Chile.
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